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In New Orleans, a gallery is a wide platform projecting from the wall of a building supported by posts or columns. Galleries are typically constructed from cast iron (or wrought iron in older buildings) with ornate balusters, posts, and brackets. The intricate iron balconies and galleries of the French Quarter are among the renowned icons of ...
The material was rarely used for the columns, as the cast was both stronger under compression and cheaper, so a typical iron frame building in the second half of the 19th century had cast iron columns and wrought iron beams. Columns at the Crystal Palace (1851), as well as short trusses, were made from the cast iron, while longer beams used ...
An arc of Phoenix Columns adorns a plaza outside the old foundry building. The Phoenix Column, patented by Samuel Reeves in 1862, was a hollow cylinder composed of four, six, or eight wrought iron segments riveted together. The resulting column was much lighter and stronger than the solid cast iron columns of the day. [9]
Cast iron was also taken up by some architects in the early 19th century where smaller supports or larger spans were required (and where wrought iron was too expensive), notably in the Royal Pavilion in Brighton, designed by John Nash and built between 1816 and 1823, where cast iron columns were used within the walls, as well as cast iron beams ...
It is a wrought iron post deck truss design, 1,112 feet (339 m) long with a maximum height of 137 feet (42 m). The structure consists of bents formed out of three quarter-round rolled wrought iron sections, with flanges designed to facilitate riveted assembly. At the stream crossing point, there are four 30-foot (9.1 m) columns.
They were supported by cast iron columns, erected on top of each other. The lateral thrust of the brick arches was resisted by concealed wrought iron ties between the column tops. The building was 15 bays wide, and the wings six bays wide. The mill is one of the first iron framed buildings.