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"La Belle Dame sans Merci" ("The Beautiful Lady without Mercy") is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called La Belle Dame sans Mercy. [1] Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. [2]
Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.
The opening lines of the poem are: As when a man, that sails in a balloon, Downlooking sees the solid shining ground. Stream from beneath him in the broad blue noon, Tilth, hamlet, mead and mound … The poem was inspired by Geoffrey Chaucer's The Legend of Good Women (1384). Both works feature Cleopatra and deal with the misfortunes of ...
23. “No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful.” —Eleanor Roosevelt 24. “When you are balanced, and when you listen and ...
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
Directly across the water, these images (and the direct imperative "Listen!") were to be later echoed by Matthew Arnold, an early admirer (with reservations) of "Intimations", in his poem "Dover Beach", but in a more subdued and melancholy vein, lamenting the loss of faith, and in what amounts to free verse rather than the tightly disciplined ...
The poem was originally included in the Kokinshū as #133, in the section dedicated to seasonal (spring [citation needed]) poetry. [15] The poem is filled with many layers of significance, with almost every word carrying more than one meaning. [16] It was the subject of a short essay appended to Peter McMillan's translation of the Ogura ...