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Unlike the Roland PM-16 Trigger-to-MIDI module, the DDR-30 is both a tone generator and trigger module. The DDR-30 includes six XLR input jacks [7] for connecting to the Roland PD-20 drum pads and PD-10 or PD-11 kick drum. The DDR-30 is not compatible with modern Roland triggers (e.g. PD-21, PD-31, PD-8, etc..) which use 1/4 inch TRS cables.
Round rubber pads were introduced with the TD-7 drum module in 1992 (previous Roland pads were polygonal) and were universally used as trigger pads for drums and cymbals. Since the introduction of mesh-head drum pads and cymbal-shaped trigger pads, standard rubber pads are only used as tom-tom and (until recently) bass drum trigger pads on ...
The R-5 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-5 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The pads are assignable and can be user defined for different sounds and also for different amplitude and semi-tones ...
Roland’s TR-6S includes digital emulations of classic drum machines like the 808, 909 and 606, as well as a quirky FM percussion engine and sample playback. It’s perhaps the most versatile ...
The R-8 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-8 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The device has eight individual outputs, 32-voice polyphony, and four-part multitimbral MIDI.
The drum module to which the trigger is connected can be adjusted to accommodate a range of volumes, thus preserving the dynamic range of the drummer's playing. Triggers have a greater use in live performances than in studio recordings, since some drummers dislike the processed triggered sound, labelled by some as artificial.
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