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Bohuslav Martinů's Double Concerto for Two String Orchestras, Piano, and Timpani (H. 271) was written in Switzerland in 1938 during deteriorating diplomatic relationships throughout Europe. Commissioned by Paul Sacher for the Basel Chamber Orchestra, it reflects intense impressions, from both the composer's personal life and the political ...
Symphony for 2 horns, timpani and strings; Werner Thärichen. Timpani Concerto Op. 34 (1954) William Kraft. Concerto No. 1 for Timpani and Orchestra (1984) [2] Concerto No. 2 for Timpani and Orchestra ("The Grand Encounter") (2005) Gordon Jacob. Concerto for Timpani & Band (1984) Kurt Schwertsik. Timpani Concerto (1987-88) James Oliverio
Allegretto in G major for violin or cello and piano, Op. 105 (published 1940) Sonata in F minor for clarinet and piano, Op. 109 (1943) Sonata in E minor for violin and piano, Op. 112 (1945) Trio in 3 Movements in E minor for violin, cello and piano, Op. 118 (1945) Sonata for flute and piano, Op. 120 (1946) Sonatina for treble recorder and piano ...
A cadenza, for both timpani, opens the final movement. Occasionally it is set aside as a separate section of the concerto, but on most recordings, it is featured as part of the third movement. During the cadenza, both timpani engage in exchanges, whose character range from almost inaudible to deafeningly loud.
A 2015 collection of recordings of music for orchestra by Sibelius, played by the Helsinki Philharmonic Orchestra, conducted by Leif Segerstam, and recorded in 1995–2007, includes the recording of Andante festivo from the archives of the Finnish Broadcasting Company and contrasts it to other works, including the Violin Concerto and the Second ...
Opus 132: The Relic, recitative for bass and piano; Opus 133: Sonata for bassoon solo; Opus 134: From Afanasy Fet's Poetry, songs for bass and piano; Opus 135: Sonata No. 3 for viola solo (1982) Opus 136: Sonata No. 4 for viola solo (1983) Opus 136bis: Sonata No. 6 for violin and piano (1982) Opus 137: Symphony No. 17 Memory (1984)
Op. 11: Sonata for violin and piano (1937) Op. 12: Sonata Ricercare (piano solo) (1935) Op. 13: Prelude and Fugue in A Minor (oboe (or flute) and bassoon) (1935, rev. 1959; rev. 1957 per Kunze) Op. 14: Tapor [Processional for band] (1948) (New Grove gives title Tapor No. 1, and also assigns op. 14 to the second of Two Suites for piano, 1936)
Here he wrote most of his greatest works, including two operas, symphonies 5–10, a second concerto for violin, one concerto for double-bass and one for balalaika, a piano concertino, much piano and violin music, choir and solo songs etc. Towards the end of his life, Tubin slowly began to gain recognition, particularly after the conductor ...