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From 1987 to 2005 the Monogram logo had appeared underneath that of Revell, but since the Hobbico acquisition, the Monogram name has disappeared. Now the Revell logo stands alone as Hobbico renamed the subsidiary the Revell Group, which consists of both revered names (the Revell-Monogram webpage has a graphic progression of the development of ...
The original Revell company merged with Monogram in 1986, becoming "Revell-Monogram". The business operated until 2007, when American Revell was purchased by Hobbico, while the German subsidiary "Revell Plastics GmbH" (established in 1956) had separated from the American firm in 2006 until Hobbico purchased it in 2012, bringing the two back ...
Estes Industries acquired the Estes-Cox business unit and a German venture capital group acquired Revell Germany whole and the Revell-Monogram brands, IP & molds. Its headquarters is located in Champaign, Illinois. The company distributed over 150 brands of hobby products including about 30 proprietary product brands.
The target market were young hobbyists, similar to the kits of the rival companies, Monogram and Revell. Aurora profitably targeted a younger demographic than their competitors, creating smaller-sized, less detailed models at a lower price. [4] [5] The first kits came in late 1952 and were 1:48 scale aircraft models.
These kits were later introduced by Revell in the U.S. as the "Highway Pioneers" Series of kits. [31] [page needed] On the heels of the promotional model business, Aluminum Model Toys or AMT introduced model car kits in 1957. Jo-Han, Revell and Monogram also started producing model car kits about this same time. Most of these were known as ...
Jay REvell's also venturing into politics for the first time as he filed in December to join the crowded race for Leon County Commission District 5.
Pages in category "Defunct book publishing companies of the United States" The following 117 pages are in this category, out of 117 total. This list may not reflect recent changes .
James Mangold misses the era when movies weren’t embarrassed to make audiences feel something. The director of the Bob Dylan musical biopic “A Complete Unknown” and comic book adaptation ...