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"(If Loving You Is Wrong) I Don't Want to Be Right" is a song written by Stax Records songwriters Homer Banks, Carl Hampton, and Raymond Jackson. Originally written for The Emotions , it has been performed by many singers, most notably by Luther Ingram , whose original recording [ 1 ] topped the R&B chart for four weeks and rose to number 3 on ...
Ingram is best known for the hit, "(If Loving You Is Wrong) I Don't Want to Be Right", written by Homer Banks, Carl Hampton and Raymond Jackson. [2] The song reached number one on Billboard ' s R&B chart and peaked at number three on that publication's Hot 100 chart in the summer of 1972. [ 2 ]
"I Don't Want to Be" is a song by American singer-songwriter Gavin DeGraw from his 2003 debut album, Chariot. The song gained exposure after being featured as the opening theme to The WB / The CW teen drama series One Tree Hill , and it was released as a radio single on February 17, 2004.
"I Don't Want to Wait" is a song written, recorded, and produced by American singer-songwriter Paula Cole. Cole wrote the song in mid-1996 and released it as second single from her second studio album, This Fire (1996), on October 14, 1997. The single release was successful, reaching No. 11 in the United States and No. 5 in Canada.
But I'm out right now and I'm all fucked up And you're callin' my phone and you're all alone And I'm sensing some undertone And I'm right here with all my friends But you're sending me your new ...
"I Want You Back" (The Corporation) "Out In the Country" (Rick James, Roderick Harrison, Ronald Matlock) "You Can Come Right Back To Me" (Clifford Burston, Rose Ella Jones) "I Can't Be Hurt Anymore" (Nick Zesses, Dino Fekaris, Henry Cosby) "Rainy Night in Georgia" (Tony Joe White) "I've Got a Need For You" (Johnny Bristol, Cardi Peters)
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"I Don't Want to Talk About It" is a song written by American guitarist Danny Whitten. It was first recorded by American rock band Crazy Horse and issued as the final track on side one of their 1971 eponymous album. It was Whitten's signature tune, but gained more fame via its numerous cover versions, especially that by Rod Stewart.