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Rinnegan Crucifixion Plaque, late 7th or early 8th century The Academy Plaque, NMI. The term Crucifixion plaque refers to small Early Medieval sculptures consisting of a central panel of the still alive but crucified Jesus surrounded by four smaller ancillary panels showing Stephaton and Longinus (the lance and sponge bearers) in the lower quadrants, and two hovering attendant angels in the ...
The bronze remains his most famous work, and was made for a secular context, commissioned by the Medici family. The iconography of the bronze David follows that of the marble David: a young hero stands with weapon in hand, the severed head of his enemy at his feet. Visually, however, this statue is startlingly different.
Bronze Statuette of Athletic Spartan Girl; Brunswick Lion; Buddha Maitreya (sculpture) The Burghers of Calais; Bust of Abd al-Rahman III, Cadrete; Bust of Auguste Rodin (Bourdelle) Bust of Auguste Rodin (Claudel) Bust of Martin Luther King Jr. (Alston)
The Lamentation over the Dead Christ is an openwork bronze relief sculpture of c. 1455–1460, produced in his old age by Donatello and now in the Victoria and Albert Museum in London. It measures 32.1 by 41.7 cm. [ 1 ]
The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 Saint Louis of Toulouse. The work was originally nude, with a textile loincloth ...
The Corpus donated to the Art Gallery of Ontario in Toronto was long believed to have been cast by an unknown French artist. In 2004, following new scholarly studies of the work, Corpus was attributed to Bernini, who cast the sculpture for his personal collection. [1] After being "lost" for over one hundred years, Corpus surfaced in Venice in ...
Homeless Jesus, also known as Jesus the Homeless (French: Jésus le sans-abri), is a bronze sculpture by Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed in 2013 at Regis College, a theological college federated with the University of Toronto. Other copies of the statue were ...
The sculpture shows the Incredulity of Saint Thomas, a subject frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced ( John 20:24–29 ).