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HPSCHD was released by Nonesuch Records in 1969 on an LP that featured a 21-minute-long recording of HPSCHD on side A and Ben Johnston's String Quartet No. 2 on side B. Each of the first run of 10,000 copies of the LP included a unique 37 cm x 55 cm printout of a program called KNOBS, written by the composers to enhance the listening experience ...
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The psaltery of Ancient Greece was a harp-like stringed instrument.The word psaltery derives from the Ancient Greek ψαλτήριον (psaltḗrion), "stringed instrument, psaltery, harp" [3] and that from the verb ψάλλω (psállō), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not ...
The harpsichord is typical of the early and ornate work of Jacob Kirckman, with an organ case that matches the marquetry and elaborate figured veneer of the harpsichord. The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a ...
The Sonata in C major for flute and basso continuo (BWV 1033) is a sonata in 4 movements. It is attributed to Johann Sebastian Bach in the manuscript, which is in the hand of his son Carl Philipp Emanuel Bach and has been dated to about 1731, although scholars question the attribution [1]
As a leading harpsichordist, Esfahani's programming and work in commissioning new compositions has drawn the attention of critics and audiences across Europe, Asia, and North America. He was the first harpsichordist to be a BBC Radio 3 New Generation Artist (2008–2010), and to be honoured by an award from the Borletti-Buitoni Trust (2009). [3]
Their surviving harpsichords show an attempt to develop the instrument in a number of ways: one from 1721 is 2.58 m long, and one from 1723 has the unusual disposition 8' 8' 8' 4'. Hass occasionally used a 16' set of strings (an octave below standard 8' pitch) and a 2' set (2 octaves higher than 8' pitch) for part of the keyboard.