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Rembrandt likely considered the placement of the painting on the wall, as he chose a perspective with a fairly low vantage point, allowing the viewer to look up at the table from below. This angle magnifies the stature of the "staalmeesters" (cloth inspectors) enhancing their sense of importance.
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Beggar in a high cap, standing and leaning on a stick: About 1629 B166: 5: Beggar with a crippled hand leaning on a stick: About 1629 B182: 1: Two studies of beggars: About 1629 S399: 1: Old man with snub nose: About 1629 B327: 3: Head of a man in a fur cap, crying out: About 1629-30 B168: 2: Old beggar woman with a gourd: About 1630 B175: 2 ...
The Sacrifice of Isaac (Rembrandt) The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge
The format of the paintings showing the couple at full length was the most expensive form of marriage pendant and could only fit in a house with high ceilings. According to family inventories, they also owned another Rembrandt depicting the Holy Family. It is assumed that this is the Holy Family now in Munich, as that is also dated to 1634. [8]
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
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