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In the Baroque period, pieces would typically be given an indication, which might be a tempo marking (e.g. Allegro), or the name of a dance (e.g. Allemande or Sarabande), the latter being an indication both of tempo and of metre. Any musician of the time was expected to know how to interpret these markings based on custom and experience.
In strict tempo at a marching pace (e.g. 120 BPM) Allargando: broadening: Slowing down and broadening; becoming more stately and majestic, possibly louder Allegro: joyful; lively and fast: Joyful; moderately fast tempo Allegretto: a little bit joyful: Slightly less joyful than allegro (so slightly slower tempo) Andante: walking
Immediately (e.g. subito pp, which instructs the player to suddenly drop to pianissimo as an effect); often abbreviated as sub. sul Lit. "on the", as in sul ponticello (on the bridge); sul tasto (on the fingerboard); sul E (on the E string), etc. sul E "on the E", indicating a passage is to be played on the E string of a violin.
1. Allegro moderato in F minor 2. Allegretto in A-flat major 3. Thema e variazioni in B-flat major, Rosamunde 4. Allegro scherzando in F minor 944A German Dance in an unknown key Deutscher 1 March 1828 lost 946 Three piano pieces: Drei Klavierstücke ♫ May 1828 1. Allegro assai in E-flat minor 2. Allegretto in E-flat major 3. Allegro in C ...
The symphony is scored for two flutes, two oboes, two clarinets in A, two bassoons, two horns in A (E and D in the inner movements), two trumpets in D, timpani, and strings. [10] Although there is no contrabassoon part in the score, a letter from Beethoven himself shows that two contrabassoons were used at the premiere to add strength to the ...
Three (Allegro moderato, Andante cantabile, Allegretto) Wolfgang Amadeus Mozart 's Piano Sonata No. 10 in C major , K . 330 / 300h, is one of the three works in the cycle of piano sonatas K.330- 331 - 332 .
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The third movement, marked Allegretto, is a five-part rondo (in A-B-A-C-A form), with the primary theme played first by piano solo and then by the winds shortly thereafter. After the B section, which is primarily in B ♭ major, the A returns for a second time. Towards the end of the C section, the piano and winds play a E ♭ major I 6