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German underground horror is a subgenre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s.Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence.
A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence. Extreme cinema (or hardcore horror and extreme horror [1] [2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture.
European horror films began developing strong cult following since the late 1990s. [2] Since the year 2000, European horror cinema has undergone a major revival, with productions from France, Germany, Spain and the United Kingdom getting larger audiences and critical recognition. [7]
The film’s word-of-mouth turned the film into a bankable hit. Having cost just $17m (£13m), the film. which was bought for $12m (£9m) ahead of its Cannes premiere, has amassed $46.3m (£35.7m).
The cult films featured in TCM Underground belonged to a number of genres, including but not limited to blaxploitation films (Coffy, Darktown Strutters, The Mack), horror, slasher, and giallo films (Let's Scare Jessica to Death, Black Christmas, Hatchet for the Honeymoon), and counterculture films (An American Hippie in Israel, Ciao!
Contemporary French horror films that have sometimes been associated with the idea of extremity include, Sheitan, Them, High Tension, Frontier(s), Inside, and Martyrs. The Belgian, French-language film Calvaire has also been associated with this trend. Unlike new extreme films, new French horror emphasises gory violence, torture, and monstrous ...