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Symbolic interactionism is a sociological theory that develops from practical considerations and alludes to humans' particular use of shared language to create common symbols and meanings, for use in both intra- and interpersonal communication.
Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
The reaction is the meaning of the gesture and points toward the result (the "intentionality") of the action initiated by the gesture. Gestures "become significant symbols when they absolutely arouse in an individual making them the same responses which they explicitly arouse, or are [intended] to arouse, in other individuals, the individuals ...
Symbolic boundaries are a theory of how people form social groups proposed by cultural sociologists. Symbolic boundaries are “conceptual distinctions made by social actors…that separate people into groups and generate feelings of similarity and group membership.” [ 1 ]
The generalized other is a concept introduced by George Herbert Mead into the social sciences, and used especially in the field of symbolic interactionism.It is the general notion that a person has of the common expectations that others may have about actions and thoughts within a particular society, and thus serves to clarify their relation to the other as a representative member of a shared ...
The ' I' and the 'me ' are terms central to the social philosophy of George Herbert Mead, one of the key influences on the development of the branch of sociology called symbolic interactionism. The terms refer to the psychology of the individual, where in Mead's understanding, the "me" is the socialized aspect of the person, and the "I" is the ...
Symbolic interaction—often associated with interactionism, phenomenological sociology, dramaturgy (sociology), and interpretivism—is a sociological approach that places emphasis on subjective meanings and, usually through analysis, on the empirical unfolding of social processes.
Subsequent thinkers have extended Sartre's ideas into the realms of philosophy and sociology. For John Thompson, the social imaginary is "the creative and symbolic dimension of the social world, the dimension through which human beings create their ways of living together and their ways of representing their collective life". [1]: 6