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Isabella Stewart Gardner in Venice (1894), by Anders Zorn (Gardner Museum). In 1874, Isabella and Jack Gardner visited the Middle East, Central Europe, and Paris. Beginning in the late 1880s, they frequently traveled across America, Europe, and Asia to discover foreign cultures and expand their knowledge of art around the world.
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts.
Pages in category "Paintings in the Isabella Stewart Gardner Museum" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
The stolen works were originally procured by art collector Isabella Stewart Gardner (1840–1924) and were intended for permanent display at the museum with the rest of her collection. Among them was The Concert , one of only 34 known paintings by Johannes Vermeer and thought to be the most valuable unrecovered painting in the world.
Gardner, whose museum was the target of the world's largest art heist, led an eccentric life with almost as many plot twists as the Netflix series. Gardner, whose museum was the target of the ...
It was acquired by Isabella Stewart Gardner in an 1892 auction in Paris for $5,000 [6] and subsequently displayed in the Isabella Stewart Gardner Museum. On the night of March 18, 1990, thieves disguised as policemen stole 13 works from the museum, including The Concert. To this day the painting has not resurfaced; it is thought to be the most ...
The Tragedy of Lucretia is a tempera and oil painting on a wood cassone or spalliera panel by the Italian Renaissance master Sandro Botticelli, painted between 1496 and 1504.. Known less formally as the Botticelli Lucretia, it is housed in the Isabella Stewart Gardner Museum of Boston, Massachusetts, having been owned by Isabella Stewart Gardner in her lifet
Coolidge then gave the painting to Gardner, and Sargent presented her with an album of pencil drawings he had made as preparatory sketches for the work. [4] El Jaleo was on exhibition at the National Gallery of Art in Washington D.C. for a short time in 1992, on loan from the Isabella Stewart Gardner Museum for the first time since 1914. At ...