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Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ' ) is a group of lines within a poem, usually set off from others by a blank line or indentation . [ 1 ] Stanzas can have regular rhyme and metrical schemes , but they are not required to have either.
Ballade: three 8-line stanzas (ababbcbC) and a 4-line envoi (bcbC). The last line of the first stanza is repeated verbatim (indicated by a capital letter) at the end of subsequent stanzas and the envoi. Example: Algernon Charles Swinburne’s translation “Ballade des Pendus” by François Villon. [1]
A terzanelle is a poetic form combining aspects of the villanelle and the terza rima. [1] [2] It is nineteen lines total, with five triplets and a concluding quatrain.The middle line of each triplet stanza is repeated as the third line of the following stanza, and the first and third lines of the initial stanza are the second and final lines of the concluding quatrain; thus, seven of the lines ...
The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain. Swinburne had published a book A Century of Roundels. [1]
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [21] It is structured by two repeating rhymes and two refrains : the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves ...
For example, Sappho frr. 130 – 131 (and the final lines of fr. 94's stanzas) are composed in a shortened version (gl d) of the meter used in Book II of her poetry. However, the surviving poetry also abounds in fragments in other meters, both stanzaic and stichic, some of them more complicated or uncertain in their metrical construction.