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The rokushaku fundoshi (Japanese: 六尺ふんどし／六尺褌) is traditionally favored as activewear. Its name is derived from its traditional measurements of a cloth that is six ("roku") shaku (1.818 m (5 ft 11.6 in)) long and one shaku (30.3 cm (11.9 in)) wide. It is formed by winding the cloth around the hips, then bringing the excess ...
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country.
Traditional loose-woven two-piece clothing, consisting of a robe-like top and shorts below the waist; the seams connecting the sleeves to the body are traditionally loosely-sewn, showing a slight gap. Worn by men, women, boys, girls, and even babies, during the hot, humid summer season, in lieu of kimono. Jittoku (十徳)
A traditional Japanese undergarment for adult males and females, made from a length of cotton. Before World War II, the fundoshi was the main form of underwear for Japanese adult males and females. However, it fell out of use quickly after the war with the introduction of new underwear and panties to the Japanese market, such as briefs and trunks.
The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were underwear to be worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative ...
A number of men's skirts and skirted garments featured in the 2022 exhibition at the Victoria and Albert Museum in London entitled Fashioning Masculinities: the art of menswear, [45] [46] which illustrated the history of men's fashion in western Europe, and its relationship to perceptions of masculinity, using historical and contemporary material.
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Japanese women performing a traditional Japanese dance Yosakoi in navel-exposing attire in the Yosakoi Matsuri 2006 at Kōchi. Japan has long had a special regard for the navel. During the early Jōmon period in northern Japan, three small balls indicating the breasts and navel were pasted onto flat clay objects to represent the female body ...