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The marketing campaign for Revenge of the Fallen cost $150 million. [76] Hasbro's Revenge of the Fallen toy line included new molds of new and returning characters, as well as 2007 figures with new mold elements or new paint schemes. [77] The first wave was released on May 30, although Bumblebee and Soundwave debuted beforehand. [78]
As with Transformers: The Game, Revenge of the Fallen features two separate campaigns; one depicting the actions of the Autobots, and the other the actions of the Decepticons. The game expands on the movie plot with additional missions and characters. Unlike its predecessor, Revenge of the Fallen features a hub-like, non-linear mission ...
The Fallen then orders the Decepticons to retrieve the Autobot Matrix of Leadership, which he needs in order to activate the Sun Harvester. To find it, Create-A-Bot is sent to hunt down The Fallen's former servant Jetfire, but he is protected by Autobots aboard an aircraft carrier. Create-A-Bot manages to board the carrier, where he defeats the ...
Transformers: Revenge of the Fallen is a 2009 science-fiction film. Transformers: Revenge of the Fallen may also refer to: Transformers: Revenge of the Fallen. Transformers Revenge of the Fallen: Autobots; Transformers Revenge of the Fallen: Decepticons; Transformers: Revenge of the Fallen – The Album
Todd was a prolific voice actor, notably voicing the Vortigaunts in the Half-Life series of games, the Fallen in Michael Bay's Transformers: Revenge of the Fallen (2009), Zoom in The Flash (2014–2023), Darkseid in the DC Animated Movie Universe (2015–2020), and Venom in the 2023 video game Marvel's Spider-Man 2.
Transformers: Revenge of the Fallen – The Album is a compilation album of various artists' music from the 2009 Transformers: Revenge of the Fallen. The official single is "New Divide" by Linkin Park. It was rumored that Dead by Sunrise would be releasing a track called "Crawl Back In" for the soundtrack.
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"The Fallen" "The Fallen" cue serves as the main theme for the main antagonist, "The Fallen" as well as the Decepticons in this film. The track begins with a low synthesizer beat, slowly building. It quickly goes into a surrealistic version of the Fallen's theme, a four-note harmonic melody, using a mixture of human voice and synthesizer.