Search results
Results From The WOW.Com Content Network
The equestrian sculpture is insofar a miracle which stands for Fernkorn's craftsmanship as a sculptor, as only the two back legs of the horse have a connection with the pedestal, it is only the second oldest in the world of this kind, after the Monument to Nicholas I in Saint Petersburg, outdoing the achievement of Tacca's equestrian sculpture ...
This list of tallest statues includes completed statues that are at least 50 m (160 ft) tall. The height values in this list are measured to the highest part of the human (or animal) figure, but exclude the height of any pedestal (plinth), or other base platform as well as any mast, spire, or other structure that extends higher than the tallest figure in the monument.
Chryselephantine sculptures, used for temple cult images and luxury works, used gold, most often in leaf form and ivory for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived. Many statues were given jewellery, as can be seen from the holes for ...
Claude Cahun (1894–1954), France; Alexander Calder (1898–1976), US; Alexander Milne Calder (1845–1923), Scotland/US; Alexander Stirling Calder (1870–1945), US; Florence Callcott (1866–1938), England
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
Throughout history, statues have been associated with cult images in many religious traditions, from Ancient Egypt, Ancient India, Ancient Greece, and Ancient Rome to the present. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest being for Djedefre (c. 2500 BC). [10]
Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...
The art-doll and ceramic sculpture communities also grew in numbers and importance in the late 20th century, while the entertainment industry required large-scale, spectacular (sometimes monstrous or cartoon-like) sculpture for movie sets, theme parks, casinos, and athletic stadiums.