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The history of sculpture in the United States after Europeans' arrival reflects the country's 18th-century foundation in Roman republican civic values and Protestant Christianity. Compared to areas colonized by the Spanish, sculpture got off to an extremely slow start in the British colonies, with next to no place in churches, and was only ...
Wäinö Aaltonen (1894–1966), Finland; Johannes Josephus Aarts (1871–1934), Netherlands; Magdalena Abakanowicz (1930–2017), Poland; Elfriede Abbe (1919–2012 ...
Natural marble. By the classical period, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century BC; many pieces of sculpture known only in marble copies made for the Roman market were originally made in bronze.
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
The Archaic marbles already showed a very high mastery of stone, visible especially in their architectural reliefs. In the case of bronze, the main innovation in their history for Greek sculpture was the development of the lost wax technique but its principles were already masterfully handled in the Severe period, with a diversified application ...
The art-doll and ceramic sculpture communities also grew in numbers and importance in the late 20th century, while the entertainment industry required large-scale, spectacular (sometimes monstrous or cartoon-like) sculpture for movie sets, theme parks, casinos, and athletic stadiums.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space.
In the market for sculpture, plagued by fakes, the value of a piece increases significantly when its provenance can be established. A Rodin work with a verified history sold for US$4.8 million in 1999, [117] and Rodin's bronze Ève, grand modele – version sans rocher sold for $18.9 million at a 2008 Christie's auction in New York. [118]