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Anton Szandor LaVey [1] (born Howard Stanton Levey; April 11, 1930 – October 29, 1997) was an American author, musician, and LaVeyan Satanist. [2] He was the founder of the Church of Satan , the philosophy of LaVeyan Satanism , and the concept of Satanism .
The Satanic Mass: Recorded Live at the Church of Satan is the first released audio recording of a Satanic ritual by high priest Anton Szandor LaVey, recorded September 13, 1967 at Church of Satan headquarters, known as The Black House. [1] The album was originally released as a vinyl LP in 1968, on LaVey's own label Murgenstrumm.
The Satanic Bible is a collection of essays, observations, and rituals published by Anton LaVey in 1969. It is the central religious text of LaVeyan Satanism, and is considered the foundation of its philosophy and dogma. [1]
The Church of Satan (CoS) is a religious organization dedicated to the religion of Satanism as defined by Anton Szandor LaVey. Founded in San Francisco in 1966, by LaVey , it is considered the "oldest satanic religion in continual existence", and more importantly the most influential, inspiring "numerous imitator and breakaway groups". [ 2 ] [
Anton LaVey has been called a "marketing genius" [149] and described as being motivated more by showmanship and entrepreneurship than any religious/philosophical vision. [ Note 2 ] He "often spoke in terms of 'conning the rubes,'" [ 151 ] and admitted that he lied "constantly, incessantly."
Hegarty, also known as Diane LaVey and Diana Hall, [2] [5] [6] was born July 10, 1942. As well as being a self-described sorceress , Diane was co-founder with Anton LaVey of the Church of Satan and served as High Priestess for approximately 25 years.
The Satanic Rituals is a book by Anton Szandor LaVey published in 1972 by Avon Books as a companion volume to The Satanic Bible.The book outlines nine rituals and ceremonies intended for group performance, with an introductory essay to each.
In addition to founding LaVeyan Satanism as a belief system, LaVey had a long career as a showman and particularly as a musician, which the album had captured. In contrast to the dramatic and serious public image often associated with LaVey and his doctrines, with his words and actions drawing controversy, the album is a frequently comedic release intended for straightforward entertainment ...