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Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
A definition of musical metre requires the possibility of identifying a repeating pattern of accented pulses – a "pulse-group" – which corresponds to the foot in poetry. [ citation needed ] Frequently a pulse-group can be identified by taking the accented beat as the first pulse in the group and counting the pulses until the next accent.
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
The Oxford English Dictionary defines rhythm as "The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this". [3] Rhythm is related to and distinguished from pulse, meter, and beats:
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Metrical phonology also correctly predicts the ambiguity between broad and narrow focus. [13] There are two possible metrical patterns for two-word phrases: S-W and W-S. However, there are three possible patterns of focus for such phrases: narrow focus on the first word, narrow focus on the second word, and broad focus.
Lines composed of the same number of syllables with division in different place are considered to be completely different metrical patterns. For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But the metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found.
Greek poetry meters are based on patterns of long and short syllables (in contrast to English verse, which is determined by stress), and lyric poetry is characterized by a great variety of metrical forms. [4] Apart from the shift between long and short syllables, stress must be considered when reading Greek poetry.