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Meera did her first movie in India, named Nazar [23] which had her as the first Pakistani actress to be seen in India like Begum Para, as well as it was the beginning of the India Pakistan peace talks.
My Name Is Red (Turkish: Benim Adım Kırmızı) is a 1998 Turkish novel by writer Orhan Pamuk translated into English by Erdağ Göknar in 2001. The novel, concerning miniaturists in the Ottoman Empire of 1591, established Pamuk's international reputation and contributed to his reception of the Nobel Prize in Literature in 2006.
The national flag of Indonesia is a simple bicolor with two horizontal bands, red (top) and white (bottom) with an overall ratio of 2:3. [1] It was introduced and hoisted in public during the proclamation of independence on 17 August 1945 at 56 Proklamasi Street (formerly Pegangsaan Timur Street) in Jakarta, and again when the Dutch formally transferred sovereignty on 27 December 1949.
The arrangement starts with a Tutti of strings and trumpets (in Verse A) that represents a brave and an elegant sound, and in the middle of the song (in Verse B) is played smoothly by strings, and finally (in Verse C) comes another Tutti of strings and trumpets, together with the timpani, snare drums and cymbals, giving it a brave sound fitting ...
The first flag had a ring of 11 white stars on a blue background, with two red Malay kris (daggers) in the middle. The second was the same as the first but with two concentric rings of 5 and 6 stars. The second was the same as the first but with two concentric rings of 5 and 6 stars.
The flag of the Qing dynasty featured golden yellow as the background. The Plain Yellow Banner and the Bordered Yellow Banner were two of the upper three banners of Later Jin and Qing dynasty . Yellow often decorates royal palaces, altars and temples, and the color was used in the dragon robes and attire of the emperors. [ 5 ]
A flag with a red background, a white disk and a hand holding a rifle- bayonet in the middle. 1971–1972: Flag of Provisional Government of the People's Republic of Bangladesh, used after independence too. In recent years often used during protests as a legacy symbol of the original vision of the country during the liberation war.
The chair embodies one of the principles of machine aesthetic, the erasing of distinctions between the load and support through a set of interlocking elements: the (red) back plays the role of the load (supported by a crossbar underneath the seat) and provides support for the arms at the same time.