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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
Self-Portrait with Seven Fingers; Self-Portrait with Skeleton; Self-portrait with the Colosseum; Self-Portrait with the Yellow Christ; Self-Portrait with Thorn Necklace and Hummingbird; Self-Portrait with Two Pupils; Self-Portrait Yellow-Pink; Self-Portrait. Between the Clock and the Bed. The Smokers (painting) Study for a Self-Portrait ...
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
On the canvas in front of the illustrator is an unfinished sketch of himself in his idealized art style. [5] On the right side of the canvas Rockwell pinned self-portraits by Albrecht Dürer, Rembrandt, Vincent van Gogh, and Picasso. [6] A piece of paper with sketches sits on the left. In total, there are seven self-portraits depicted in the ...
Portrait Study of Dorothea Meyer, by Hans Holbein the Younger, 1516. Silverpoint, red chalk, and traces of black pencil on white-coated paper, Kunstmuseum Basel. Silverpoint (one of several types of metalpoint) is a traditional drawing technique and tool first used by medieval scribes on manuscripts.