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Donatello, the bronze David (1440s?), Bargello Florence, h.158 cm David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello , probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding ...
The Ascension with Christ Giving the Keys to Saint Peter is a rectangular stiacciato (schiacciato) marble relief sculpture of c. 1428–1430 by Donatello, now in the Victoria and Albert Museum in London.
The statue is known for its realism and naturalism, which differed from most statuary commissioned at the time. [3] Zuccone is reported to have been Donatello's favorite, and he has been claimed to swear by the sculpture, "By the faith I place in my zuccone." [2] [4] Donatello is said to have shouted "speak, damn you, speak!" at the marble as ...
Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello (English: / ˌ d ɒ n ə ˈ t ɛ l oʊ /; [2] Italian: [donaˈtɛllo]), was an Italian sculptor of the Renaissance period. [a] Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture.
In addition, carved into Holofernes' back is a medallion structured to appear to be hanging from his neck – historically known as a symbol of pride. [7] Many scholars believe that in this instance the necklace is direct symbolism of pride evidenced by Psalms 73:6, which states, "the wicked wear pride like a necklace and violence wraps them ...
In 1408, the Operai del Duomo commissioned the statue. [3] At the time, Donatello was twenty-two [4] and had been active in the workshop of Lorenzo Ghiberti. [5] Donatello's earliest known important commission, the marble David statue was to be placed on the tribune of the dome at one of the buttresses on the north side of Florence Cathedral. [6]
Baptism of Christ is a rectangular stiacciato marble relief of the Baptism of Christ, showing a crowd in the background, including a servant holding a towel to the left and an angel to the right.
Though the "Penitent Magdalene" was the usual depiction for the many single figures of Mary Magdalene in art, Donatello's gaunt, emaciated figure differs greatly from most depictions, which show a beautiful young woman in nearly perfect health.