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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
Tiki culture is an American-originated art, music, and entertainment movement inspired by Polynesian, Melanesian, and Micronesian cultures, and by Oceanian art.Influential cultures to Tiki culture include Australasia, Melanesia, Micronesia, Polynesia, the Caribbean Islands, and Hawaii.
The sasa is a group dance performed sitting to a drum rhythm. Samoan males traditionally perform the fa'ataupati (slap dance), usually performed in a group with no music accompaniment. Other types of dance are modern dance by the younger generations. Traditional Samoan dance is arguably the one area of Samoan culture that has not been touched ...
The term comes from hālau, literally, "long house, as for canoes or hula instruction"; "meeting house" [1], and hula, a Polynesian dance form of the Hawaiian Islands. Today, a hālau hula is commonly known as a school or formal institution for hula where the primary responsibility of the people within the hālau is to perpetuate the cultural ...
Lai is from Rangiroa in the Tuamotus, and is of Chinese-Polynesian descent. [1] She began dancing at the age of 12, after moving to Papeete. [1] In 1986 she founded the O Tahiti E dance troupe, which won the "best professional group" category at the Heiva competition four times, in 1987, 1998, 2005, and 2012. [2] [3] The troupe won again in ...
Fijian dance (4 P) H. Haka (6 P) S. Samoan dances (7 P) T. Dances of Tahiti (7 P) Dances of Tonga (9 P) Pages in category "Dances of Polynesia"
The ʻupaʻupa (often written as upa upa) is a traditional dance from Tahiti. It was mentioned by European explorers, who described it as very indecent. It is not quite clear how similar the gestures at that time were with the now immensely popular tāmūrē. In both dances the performers form groups of pairs of a boy and a girl, dancing more ...
One unique quality of Polynesian music is the use of the sustained 6th chord in vocal music, though typically the 6th chord is not used in religious music. Traditional instruments include a conch-shell called the pu and a nose flute called the vivo, as well as numerous kinds of drums made from hollowed-out tree trunks and dog or shark skin.