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A cello étude (or study) is a piece of music written for the solo cello that zeroes in on specific techniques. [1] Cello études are most often written by cellists to help other cellists improve their playing ability. Music that is written for performance generally does not focus on instrumental technique.
The 19th étude, for example, is subtitled the "Lohengrin Etude", as it is written using music from Act Three, Scene Three of Wagner's Lohengrin (opera). [ 9 ] Following the creation of his High School of Cello Playing book, Popper created two more sets of études directed at more novice and intermediate audiences.
Two ways in which the martelé bowstroke is commonly notated. An excerpt from Dotzauer's cello étude no. 6, played with martelé bowing. Martelé (French pronunciation: [maʁt(ə)le]; literally meaning "hammered") [1] [2] is a percussive bow stroke used when playing bowed string instruments, though the Italian martellando and martellato are also applied to piano and vocal technique, and even ...
In music, an instrumental solo piece (from the Italian: solo, meaning alone) is a composition, like an étude, solo sonata, partita, solo suite or impromptus, or an arrangement, written to be played by a single performer. [1] The performer is called a soloist. The instrumental solo pieces can be monophonic or polyphonic.
The Studies for cello (Études pour violoncello) by Jean-Louis Duport (1749-1819) are a staple of cello pedagogical repertoire. Duport was a French cellist who, along with his brother Jean-Pierre Duport, revolutionized the performance of the cello. Only few of Duport's concert works are remembered today. [1]
This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common.. Various terms can be used to classify a classical music composition, mainly including genre, form, compositional technique and style.
Also wrote Étude pathétique (1948), Étude violette (1948), both turntable-technology musique concrète, Étude aux sons animés (1958), Étude aux allures (1958), and Étude aux objets (1959), all for tape-technology musique concrète; John Cage (1912–1992): Freeman Etudes for the violin; Jeanne Demessieux (1921–1968): 6 études, for organ
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