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The art of lapidary was relatively well-developed in the Indian subcontinent by the early 1st millennium CE. The surviving manuscripts of the 3rd century Buddhist text Rathanpariksha by Buddha Bhatta, [ citation needed ] and several Hindu texts of mid-1st millennium CE such as Agni Purana and Agastimata , are Sanskrit treatises on lapidary arts.
Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art ...
The Lizzadro Museum of Lapidary Art was opened on November 4, 1962. The museum was founded by Joseph Lizzadro, an Italian immigrant to the United States who began collecting jades as part of his interest in cutting and polishing precious stones for jewelry. His collection came to include pieces made of amber, ivory, coral, agate, and other ...
Mughal dagger hilt in jade with gold, rubies, and emeralds.. Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way.
Peter Kitson, 'Lapidary traditions in Anglo-Saxon England: part I, the background; the Old English Lapidary' in: Anglo-Saxon England, vol. 7, eds. Martin Biddle, Julian Brown, Peter Clemoes, Cambridge University Press, 2007, ISBN 978-0-521-03864-5, 9-60.
A lapidary museum could either be a lapidarium or – less often – a gem museum (e.g. the Mineral and Lapidary Museum, North Carolina). Examples.
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
The Lapidary Museum is a lapidarium-museum in Avignon, France. It has housed the classical Greek, Etruscan, Roman and Gallo-Roman sculptures and objects of the Calvet Museum since the 1980s. They are both run by the Fondation Calvet .