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Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary techniques of cutting, grinding, and polishing is known as a lapidary or lapidarist.
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
The lapidary arts form the core of the Lizzadro Museum's collections, particularly jade carvings including the Altar of the Green Jade Pagoda by Chang Wen-Ti. [7] However, the museum also displays a selection of uncarved gemstones, fossils, and other minerals, as well as sculptures, mosaics, dioramas, and a miniature castle made of carved stone and gold called "Castle Lizzadro" by William ...
Lapidary medicine is a pseudoscientific concept based on the belief that gemstones have healing properties. The source of the idea of lapidary medicine stems from information found in lapidaries , books giving "information about the properties and virtues of precious and semi-precious stones."
Lapidary clubs promote popular interest and education in lapidary, the craft of working, forming and finishing stone, minerals and gemstones. These clubs sponsor and provide means for their members to engage in all forms of jewellery making , cabochon cutting and faceting , carving , glass beadmaking and craft work.
Lapidary style is prose that is appropriate for memorials, mausoleums, stelae, and other commemorations in which words are "etched in stone"; it is concise, pithy, elegant, and sententious. The meaning extends to text in that style which is printed on paper rather than carved into monuments.
The Lapidary Journal Jewelry Artist is an American magazine dedicated to lapidary interests such as gemology, jewelry design, metalworking, mineralogy, rocks, and gemstones. The magazine was established in 1947 as the Lapidary Journal , and was renamed to its current title in 2005.
The so-called Old English Lapidary (Cotton Tiberius A.iii) is a 10th or 11th century Old English lapidary, a translation of older Latin glosses on the precious stones mentioned in the Book of Revelation.