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The story of Pygmalion is the subject of Jean-Philippe Rameau's 1748 opera, Pigmalion. It was also the subject of Georg Benda's 1779 monodrama, Pygmalion. Ramler's poem Pygmalion was set to music as an aria by J.C.F.Bach in 1772, and as a cantata by Friedrich Benda in 1784. Pygmalion was the subject of Gaetano Donizetti's first opera, Il ...
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion; or, The Statue Fair, an 1867 musical burlesque by William Brough; Pygmalion, ou La Statue de Chypre, an 1883 ballet with choreography by Marius Petipa; Pygmalion, a 1913 play by George Bernard Shaw
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village.Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
George Bernard Shaw Shaw in 1911 Born (1856-07-26) 26 July 1856 Portobello, Dublin, Ireland Died 2 November 1950 (1950-11-02) (aged 94) Ayot St Lawrence, Hertfordshire, England Resting place Shaw's Corner, Ayot St Lawrence Pen name Bernard Shaw Occupation Writer political activist Citizenship United Kingdom (1856–1950) Ireland (dual citizenship, 1934–1950) Spouse Charlotte Payne-Townshend ...
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
The story was combined with and inflected the modern re-telling of the Pygmalion myth, especially in its treatment by George Bernard Shaw as the 1913 play Pygmalion, though Henry Higgins does not, in the play, display any romantic attraction to Eliza Doolittle whatsoever; thus, the parallel with the 'king and the beggar-maid' is not valid.
The Hand Refrains, 2nd Series, H.98.7 cm x W.76.3 cm (1878). In this second picture, Pygmalion's perfect woman is revealed. Playing God, he has created woman and now stands back to admire her, holding the cold chisel against his face as though scared to touch his creation again.