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We're the Superhumans is a television advert which was produced by Channel 4 to promote its broadcast of the 2016 Summer Paralympics in Rio de Janeiro.. Serving as a follow-up to Meet the Superhumans (which was used to promote the 2012 Summer Paralympics in London), the advert featured people of various backgrounds and disabilities (including several British Paralympic athletes) performing ...
The official music video was released on YouTube two days later on May 24, 2019, at 12 AM KST. [5] The group performed the song for the first time live on April 18, 2019, as the musical guests on Good Morning America (making them only the third K-Pop group to perform on the show) [6] and also performed it on an episode of The Late Late Show ...
We Are Superhuman (stylized in all caps as NCT #127 WE ARE SUPERHUMAN) is the fourth Korean extended play (fifth overall) by South Korean boy band NCT 127.Originally confirmed concurrently during the release of their first Japanese studio album Awaken earlier in April 2019, it was released on May 24, 2019 by SM Entertainment and Capitol Music Group. [2]
The song was certified Gold after seventeen weeks selling over 7,500 copies. It also debuted at number 33 in Ireland and number 40 on the UK Singles Chart following the premiere of the music video. The song has reached number 32 on the UK Singles Chart, and was physically released in the UK on November 24, 2008. "Superhuman" has also become ...
A fact from We're the Superhumans appeared on Wikipedia's Main Page in the Did you know column on 1 October 2016 (check views). The text of the entry was as follows: Did you know... that Channel 4's 2016 Paralympics trailer "We're the Superhumans" featured a big band comprised of musicians with disabilities?
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Alphas is an American superhero drama television series created by Zak Penn and Michael Karnow. It follows a group of people with superhuman abilities, known as "Alphas", as they work to prevent crimes committed by other Alphas.
The song received generally positive reviews from critics. Hamza Riaz of Mic Cheque deemed it as one of the "bone-chilling cuts" and best tracks from Heroes & Villains, although also writing that "When there is a new voice, they are shoehorned onto a disconnected strand of a track that would've benefited without it", bringing up the song as an example. [5]