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A group of people in evil clown costumes at a PDC 2008 party at Universal Studios. The evil clown, also known as the creepy clown, scary clown or killer clown (if their character revolves around murder), is a subversion of the traditional comic clown character, in which the playful trope is instead depicted in a more disturbing nature through the use of horror elements and dark humor.
The character is depicted as a vulgar and murderous clown. In House of 1000 Corpses, Spaulding is portrayed as the proprietor of a gas station and fried chicken eatery that also houses a roadside attraction known as Captain Spaulding's Museum of Monsters and Madmen. In The Devil's Rejects, he is revealed to be the patriarch of the Firefly ...
A person in clown attire was spotted in a cemetery in Chicago in July 2015. This occurrence involved two residents who spotted the "creepy clown" scaling the gate at the Rosehill Cemetery late at night. After the clown entered the cemetery, they turned to face the residents and began waving slowly as they made a video recording.
March 11, 1963: Ebo the Clown leaves the M & O Subway at Leonards Department Store with a baby elephant and two dogs to kick off the Spring Downtown Days free shows between 2nd and 3rd Streets ...
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Marcus "Needles" Kane—commonly known as Sweet Tooth—is a fictional character from the Twisted Metal video game series. [1] Sweet Tooth is designed around the premise of a killer clown that drives a combat ice cream truck, and his face has been featured on the cover of every Twisted Metal game, making him the series' mascot.
He described Pogo as a "happy clown", whereas Patches was a "more serious" character. [60] Gacy seldom earned money for his performances and later said that acting as a clown allowed him to "regress into childhood". He performed as both Pogo and Patches at numerous local parties, political functions, charitable events, and children's hospitals ...
In his silent-clown way, he imitates ordinary human emotion — the grins and wide-eyed surprise, the innocent moués, the cartoon-sad frowns — with a stylized frivolity.