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The site of the two towers was originally a lot that hosted the Consolidated Edison Kips Bay Generating Station. [6] The lot was one of three parcels purchased by Sheldon Solow (along with the former Consolidated Edison Waterside power plant on the east side of First Avenue from 38th to 41st streets) and was planned to be redeveloped as part of a seven-tower, $4 billion complex designed by ...
A glittering copper marquee spans the entrance, with backlit green & red stained glass signs bearing the theater’s name. Underneath are solid brass doors with copper frames, and stained glass transom windows of faux "Chartre Blue" surround the foyer. Three large arched windows sit over the marquee.
Copper has played a role in architecture for thousands of years. For example, in ancient Egypt, massive doors to the temple of Amen-Re at Karnak were clad with copper. In the 3rd Century B.C., copper roof shingles were installed atop of the Lowa Maha Paya Temple in Sri Lanka. [10]
The design incorporates elements that are reflective of both the local culture and broader church symbolism. [citation needed] Interior. The interior features chandeliers and cream-colored carpet, centered around the celestial room, which is decorated in a French Second Empire style and features a ceiling painted with images of the sky.
The Wimberly Interiors of New York City oversaw the redesign of the 415 guest rooms, while Amanda Jackson of Dallas firm Forrest Perkins oversaw the design of the lobby, loggia, and courtyard. A metallic art piece was installed over the lobby bar and lounge, both of which received Modern furniture as well.
Bathrooms for males and females are placed on alternating floors, [104] with the men's rooms on even floors and the women's rooms on odd ones. [190] The women's restrooms were not part of the original design. [101] Until the end of the 20th century, the building also retained its original hydraulic elevators, [268] which were powered by water.