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Up and Coming is a studio album by the John Abercrombie Quartet recorded in April and May 2016 and released on ECM January the following year—the final studio album by Abercrombie, who died in 2017. [12] The quartet features rhythm section Marc Copland, Drew Gress, and Joey Baron.
Timeless is the debut album by American jazz guitarist John Abercrombie, recorded over two days in June 1974 and released on ECM the following year. The album features a trio with Abercrombie alongside organist Jan Hammer and drummer Jack DeJohnette. [4]
White Hot: The Rise & Fall of Abercrombie & Fitch details the store's success and controversies, including its racist and exclusionary practices. The documentary focuses on the rise in popularity of the brand after the arrival of CEO Mike Jeffries in 1992, and his practices which led to a 2003 class-action suit which alleged racial discrimination in the stores’ hiring policies. [7]
Fashion, of course, is rarely just fashion — it tells a story about whoever’s wearing it. And in the ’90s and 2000s, the preppy youthquake mall-fashion outlet Abercrombie & Fitch told a very ...
The AllMusic review by Scott Yanow stated, "One can easily tell the two guitarists apart, since Abercrombie mostly plays electric and has a more forceful sound, while Towner's solos are usually more introverted. They perform three of Towner's songs, a pair of Abercrombie originals, and three collaborations.
Arcade is an album by the John Abercrombie Quartet, recorded in December 1978 and released on ECM the following year. The quartet features pianist Richie Beirach and rhythm section George Mraz and Peter Donald.
He's not a businessman. He's a business, man! In 2015, Jay-Z purchased Tidal for $56 million. After a rough start, the music streaming service is estimated to be valued at a whopping $600 million ...
The Penguin Guide to Jazz awarded the album 3 stars, stating, "Night demonstrated two things: first, that Abercrombie had outgrown the association with Hammer in particular, probably because increasingly he could give those evocative keyboard figures his own spin, using pedals and later, guitar synth; and secondly, that he never sounds entirely ...