Ad
related to: aristotle concept of tragedy with reference his poetics
Search results
Results From The WOW.Com Content Network
Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3] Aristotle distinguishes plot from praxis – which are the actions the plots represent. [4]
A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. [1]
Aristotle, in his Poetics, defines peripeteia as "a change by which the action veers round to its opposite, subject always to our rule of probability or necessity." According to Aristotle , peripeteia, along with discovery, is the most effective when it comes to drama , particularly in a tragedy .
As translations became available, theorists have looked to the Poetics retrospectively for support of the concept. [16] In these passages from the Poetics, Aristotle considers action: Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude. [17]... A poetic imitation, then, ought to ...
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
In commentary accompanying his 1692 French edition of the Poetics, Dacier made the first known attempt to resolve the contradiction. [44] [45] As scholars normally understand Dacier, [46] his theory was that Aristotle called Euripides' plays ending in misfortune "correct" because the authoritative, traditional versions of these stories end in ...
Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets. By Aristotle. Cambridge: Hackett. ISBN 0-87220-033-7. Nesselrath, Heinz-Günther. 1990. Die attische mittlere Komödie: ihre Stellung in der antiken Literaturkritik und Literaturgeschichte. Untersuchungen zur antiken Literatur und Geschichte vol ...