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A Virgin with a Unicorn was created for the decoration for Galleria Farnese under the direction of Annibale Carracci, who died a few years later after the piece was finished. [3] The fresco was painted over the entrance and above the southeast wall of Galleria Farnese, an art gallery of Carracci, constituting one of his vault and ceiling frescos.
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A Virgin with a Unicorn, c. 1604 –05, fresco in Palazzo Farnese, Rome, after a design by Annibale Carracci. Domenichino's work, developed principally from Raphael's and the Carracci's examples, mirrors the theoretical ideas of his friend Giovanni Battista Agucchi, with whom the painter collaborated on a Treatise on Painting.
A Virgin with a Unicorn, depicting Giulia Farnese by Domenichino, c. 1604–05. Palazzo Farnese ([paˈlattso farˈneːze,-eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Giulia Farnese was born in Canino, then within the Papal States, to Pier Luigi I Farnese (c. 1435 - November 1487), Lord of Capodimonte, Musignano, Valentano, Gradoli, Piansano, Canino and Abbazia al Ponte, Papal Vicar of Canino in 1466, and his wife (Ischia, March 1464) Giovanna called Giovannella Caetani of the Dukes of Sermoneta, [4] [3] [4] [5] a member of the Caetani family which had ...
(after Domenichino) c. 1763: oil on canvas: National Museum of Women in the Arts, USA: Google Arts: Religious: The Mystic Marriage of Saint Catherine (after Corregio) 1763–1764: oil on canvas: Private (stored at vorarlberg museum, Austria) Catalogue entry: Portrait: John Campbell, 4th Earl and 1st Marquess of Breadalbane (1762–1834) 1760s ...