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The Girl with the Wine Glass (Dame en twee heren) is an oil-on-canvas painting of the Dutch Golden Age by Johannes Vermeer, created c. 1659–1660, now in the Herzog Anton Ulrich Museum, in Braunschweig.
Depending on where you live, midwinter can be a pretty cold and dark time (drink your vitamin D!) so it’s important to actually take some time to think about how to keep your sanity from day to day.
Every photograph tells a story, and the Facebook page Vestiges of History is an excellent place to learn how to keep them alive.It collects and shares unique photo recreations, where people mimic ...
Officer with a Laughing Girl (also known as Officer and Laughing Girl) [7] c. 1657 [7] Oil on canvas, 50.5 × 46 cm Frick Collection, New York: The Milkmaid: c. 1658 [7] or c. 1657–58 [8] Oil on canvas, 45.5 × 41 cm Rijksmuseum, Amsterdam: The Wine Glass, also known as A Lady Drinking and a Gentleman and The Glass of Wine [8] 1658–60 or ...
The Wine Glass, 66.3 x 76.5 cm, c. 1660. Gemäldegalerie, Berlin. The Wine Glass (also The Glass of Wine or Lady and Gentleman Drinking Wine, Dutch: Het glas wijn) is an oil-on-canvas painting by Johannes Vermeer, created c. 1660, now in the Gemäldegalerie, Berlin. [1] It portrays a seated woman and a standing man drinking in an interior setting.
“It’s Josh o’clock somewhere,” wrote one user, including an image of a Josh bottle and wine glass in the sand as the sun rises, presumably after a night of heavy Josh-drinking. "A wine but ...
Original – Johannes Vermeer, The Girl with the Wine Glass (1659–1660) Reason High quality and resolution. This is a featured picture on the Persian language Wikipedia Articles in which this image appears The Wine Glass, Red, History of red, List of paintings by Johannes Vermeer FP category for this image Wikipedia:Featured pictures/Artwork ...
The relationship between the two people is also made clear by their gaze. Her reserved and shy gaze contrasts with his serious and determined expression and the gesture of holding up the champagne glass, which further emphasizes the "unambiguousness of this connection". [22] Charlotte Berend surrenders to this role and is absorbed by it.