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The Letter is a 1940 American crime film noir melodrama directed by William Wyler, and starring Bette Davis, Herbert Marshall and James Stephenson. [1] The screenplay by Howard E. Koch is based on the 1927 play of the same name by W. Somerset Maugham derived from his own short story.
The Letter is an American pre-Code drama film directed by Jean de Limur and released by Paramount Pictures. It was the first full-sound feature shot at Astoria Studios in Queens , New York City . [ 1 ]
The Letter is a 1982 American television movie, starring Lee Remick, Ronald Pickup, Jack Thompson, Ian McShane and Christopher Cazenove and directed by John Erman. It is the third film version of the 1927 play of the same title by W. Somerset Maugham. It screened as part of ABC Theatre. [1]
The Letter, directed by William Wyler starring Bette Davis, also adapted from the Somerset Maugham play; The Letter, a TV film; The Letter, a South Korean film also known as Pyeon ji; The Letter, a Portuguese film by Manoel de Oliveira; The Letter, an American documentary about immigration in Maine
"The Letter" is a song written by Wayne Carson that was first recorded by the American rock band the Box Tops in 1967. It was the group's first and most successful single, reaching number one on the record charts in the United States and Canada. It was also an international success and placed in the top ten in several other countries.
The Letter was released in South Korea on 22 November 1997, and received a total of 724,474 admissions to make it the best selling domestic production and fourth film overall of that year. Together with The Contact it was only one of two films since 1993 to break the 600,000 admissions mark.
The Letters is a 2014 American biographical drama film directed and written by William Riead. The film stars Juliet Stevenson, Max von Sydow, Rutger Hauer and Priya Darshini. It was produced by Colin Azzopardi and Tony Cordeaux. It was released theatrically by Freestyle Releasing on December 4, 2015. [2] [3]
The film premiered at the 2003 American Film Institute film festival and was chosen as The Amnesty 2004 festival opener. It received very positive reviews including an endorsement and high recommendation from the Southern Poverty Law Center. The film garnered numerous awards and accolades including the Independent Spirit Award from Boston.