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Braided rugs are made by using three or more strips of fabric, usually wool, folding the raw edges to the middle and braiding them together.For an oval rug the centre braid should be one inch longer than the width-length in feet. example 2' x 4' rug centre strip would be 2'2" long.
Soumak flat-weave rug from Quba Rayon or Daghestan, mid-19th century.. Caucasian carpets and rugs are primarily made in villages, rather than in cities. [1] They are made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors.
A cloth braid construction is indicative of a time when outgrown clothing was cut into strips and then hand-braided into a floor covering. This particular construction is unique to one manufacturer, Thorndike Mills. A flat braid construction is a common construction as it is one of the easier and more classic methods.
Rya rugs, for example, are woven with a combination of techniques that include weaving tapestry, needlework, and carpet knots. [6] Traditionally, Scandinavian Rya rugs were hand-made by artisans who would add symmetric Turkish (or Ghiordes) knots directly to the warp through a specially woven backing. Small holes in the weave allowed the rug ...
A Tabriz rug or carpet is a type in the general category of Persian carpets [1] [2] [3] from the city of Tabriz, the capital city of East Azerbaijan province in northwest of Iran. It is one of the oldest rug weaving centers and makes a huge diversity of types of carpets.
Toward the end of the 19th century, Navajo weavers began to make rugs for non-Native tourists and for export. Earlier Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit ...
Modern Kerman rugs made for western markets are commonly woven in pastel shades of amber, pink, and blue-gray. They may feature western patterns, such as stripes and various repetitive motifs, as well as more traditional vase and garden themes, animal shapes, and pictorial designs.
The main fields of Anatolian rugs are frequently filled with redundant, interwoven patterns in "infinite repeat". Thus, the rug represents a section of an infinite pattern, which is imagined as continuing beyond its borders and into the infinite. A specific Islamic pattern is the mihrab pattern which defines the Prayer rug.