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Songs written by James Harris III and Terry Lewis, with original artists, co-writers, the samples and originating album, showing year released. Title Artist(s) Co-writer(s) Originating album Year Sample(s) Ref. "High Hopes" † The S.O.S. Band — III: 1982 — "The Only One" Dynasty — Right Back At Cha! 1982 — "Wild Girls" Klymaxx —
For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with "whaxolotl". [4] Gerard Manley Hopkins (1844–89) is one of few poets who used multisyllabic rhymes to convey non-satirical subject matter. [5] An example of this is ‘The Bugler's First Communion’, [5] where he rhymes "boon he on" with "Communion".
This is a list of notable hip hop musicians. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The Questlove-led all-star mega-medley of hip-hop hits during the Grammy Awards — which featured everyone from Grandmaster Flash and Run-D.M.C. to GloRilla and Lil Uzi Vert — was dazzling ...
Nathaniel Thomas Wilson (born July 20, 1968), [1] better known by his stage name Kool G Rap (or simply G Rap), is an American rapper.He began his career in the mid-1980s as one half of the group Kool G Rap & DJ Polo and as a member of the Juice Crew.
"Jump Around" is a song by American hip hop group House of Pain, produced by DJ Muggs of Cypress Hill, who has also covered the song, and was released in May 1992 by Tommy Boy and XL as the first single from their debut album, House of Pain (1992). The song became a hit, reaching number three in the United States.
A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style.
"Rapper's Delight" peaked at number 36 in January 1980 on the US Billboard Hot 100 chart, [15] number four on the Billboard Hot Soul Singles chart in December 1979. The song was much more successful internationally, reaching number one on the Canadian Top Singles chart in January 1980, [16] number one on the Dutch Top 40, and number three on the UK Singles Chart.