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Some medieval bed canopies and curtains were suspended from ceiling beams. In English these canopies were known as a "hung celour". The fabric canopy concealed an iron frame with iron curtain rods.These beds can be seen in manuscript illuminations, paintings, and engravings, showing cords suspending the front of the canopy to the ceiling.
There were bed curtains of red, blue, and yellow taffeta; a scarlet embroidered "pinnacle" (a bed canopy), black figured taffeta bed curtains, red and white embroidered curtains with a red velvet "pinnacle", green damask bed curtains, gray, blue, green curtains and a scarlet canopy, red stemming, red grosgrain, and six stands of tartan curtains ...
Precious fabrics were recycled. Black velvet was taken from a dais or canopy of state for a bed that lacked its back or dossier, which had been stolen. More velvet was taken from the curtains and the lower part of another old bed. The wardrobe staff kept a record of the fabrics:
In 1632, his two workmen were employed at Somerset House putting up a bed. [18] He supplied "French chairs" to the Queen's House at Greenwich in 1637, upholstered with figured velvet and silver fringes, [19] and used trimmings supplied by William Geere. [20]
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Canopy bed of the Chinese Qing dynasty, late 19th or early 20th century. The canopy bed arose from a need for warmth and privacy in shared rooms without central heating. Private bedrooms where only one person slept were practically unknown in medieval and early modern Europe, as it was common for the wealthy and nobility to have servants and attendants who slept in the same r