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Each mode of the pentatonic scale (containing notes C, D, E, G and A) features different intervals of notes from the tonic according to the table below. Note the omission of the semitones above (m2) and below (M7) the tonic as well as the tritone (TT). The intervals used in the pentatonic scale compared to the diatonic scale.
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Here, the first chord—stretching two octaves from D 2 to D 4 —is a diatonic (so-called white-note) cluster, indicated by the natural sign below the staff. The second is a pentatonic (so-called black-note) cluster, indicated by the flat sign; a sharp sign would be required if the notes showing the limit of the cluster were spelled as sharps.
Any sequence of seven successive white keys plays a diatonic scale. Of Glarean's six natural scales, three have a major third/first triad: (Ionian, Lydian, and Mixolydian), and three have a minor one: Dorian, Phrygian, and Aeolian). To these may be added the seventh diatonic scale, with a diminished fifth above the reference note, the Locrian ...
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2:1). [5] In Greek music it was used to tune tetrachords, which were composed into scales spanning an octave. [6] A distinction can be made between extended Pythagorean tuning and a 12-tone Pythagorean temperament.
English: Comparison of the intervals in the most commonly used moment of symmetry (MOS) scales (diatonic scale vs pentatonic scale) plotted on chromatic circle diagrams. Either MOS scale has intervals of two sizes each but they are different. Notably, the pentatonic scale omits the semitones above and below the tonic, as well as the tritone.