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The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial numbers below), and to the Super Action 80 for the soprano and baritone saxophones in 1981. The sopranino saw limited production until about 1985.
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of
The Selmer "Cigar Cutter" is the saxophone that was produced by the Selmer Company between 1930 and 1933. A cigar cutter saxophone will have a serial number ranging from 11951 to 18700 stamped on the side of the bell.
During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts. Between 1968 and 1970 Leblanc introduced saxophones under the Vito-Japan line, consisting of alto and tenor saxophones from Yamaha (7131 models), and soprano, alto, and baritone ...
Holton saxophones never enjoyed the reputation or sales of their competitors C.G. Conn, Buescher, Martin, or King, but generate interest for the idiosyncratic keywork on some early models. [ 9 ] [ 10 ] In the early 1930s the Holton Collegiate line of student horns was introduced, which would last through the 1970s. [ 11 ]
The Selmer Balanced Action saxophone was manufactured by Selmer from 1935 through 1947. It introduced a revolutionary new layout for the key table operating the G ♯ and low C ♯, B, and B ♭ keys. The layout solved long-standing deficiencies in those mechanisms and all modern saxophones have left hand key tables derived from this ...
During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. Buescher adapted its sound concept to the bigger ...
The saxophone was a popular choice, as Selmer created the "Balanced action", which was a prototype for modern saxophones, many saxophones today have many of the components from this formation. The bore and bell were bigger than the American saxophone, become direct competition with them as a compatible option. [ 8 ]