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Poussin is probably the first painter in history to examine this subject. This episode in the of ancient Rome is taken from the Annals of Tacitus.It describes the military successes of the Roman general Germanicus, elder brother of Claudius, in the service of the Emperor Tiberius, especially against the Germans, which earned him his nickname.
The following other wikis use this file: Usage on als.wikipedia.org Nicolas Poussin; Usage on el.wikipedia.org Γερμανικός; Usage on es.wikipedia.org
The Paintings of Nicolas Poussin. A Critical Catalogue. London: Phaidon. OCLC 1153562776 – via the Internet Archive. (in French) Jacques Thuillier, Tout l'œuvre peint de Poussin : Documentation et catalogue raisonné, Paris, Rizzoli-Flammarion, Les Classique de l'Art series, 1974, 136 p.
Download as PDF; Printable version; In other projects ... Pages in category "Paintings by Nicolas Poussin" ... The Death of Chione; The Death of Germanicus; E ...
The painting was commissioned on February 5, 1628, by the Fabric of Saint Peter, to adorn the altar dedicated to Erasmus of Formia in St. Peter's Basilica. More precisely, it was to be located to the left of the north transept, near the Martyrdom of Saint Processus and Saint Martinian by Valentin de Boulogne (1629). [2]
Nicolas Poussin (UK: / ˈ p uː s æ̃ /, US: / p uː ˈ s æ̃ /, [1] [2] French: [nikɔla pusɛ̃]; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome.
The composition of eight figures, representing the Virgin Mary, clothed in red vest and a blue mantle, seated on the viewer's left, bending and holding the Christ child on her knee, while he places a ring on the finger of Saint Catherine: behind is an angel bearing a sword, the instrument of her martyrdom; and on the right are two other angels witnessing the mystical union of Jesus and the Saint.
Death remains one of the last great taboos in much of the developed world. Poussin's painting addresses with potency and directness the universal message of human mortality: through the rhythmic beauty of the compositional line and passages of resplendent, even joyous, colour, Poussin allows us to contemplate and engage with the most natural ...