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  2. Robert Johnson (guitars) - Wikipedia

    en.wikipedia.org/wiki/Robert_Johnson_(guitars)

    1928 Gibson L-1 Kalamazoo KG-14. Robert Johnson played various guitars, produced in the 1920s and 1930s. The guitar he is holding in the studio portrait, where he's dressed in a suit, is a Gibson Guitar Corporation model L-1 flat top, which was a small body acoustic produced between 1926 and 1937.

  3. Gibson L-1 - Wikipedia

    en.wikipedia.org/wiki/Gibson_L-1

    The Gibson L-1 is an acoustic guitar that was first sold by the Gibson Guitar Corporation in the early 20th century. The L-1 model was introduced first as an archtop (1902), and later as a flat top in 1926. The model is famously associated with the legendary bluesman Robert Johnson.

  4. Robert Johnson - Wikipedia

    en.wikipedia.org/wiki/Robert_Johnson

    Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.

  5. Gibson L Series - Wikipedia

    en.wikipedia.org/wiki/Gibson_L_Series

    The Gibson L series is a series of small-body guitars produced and sold by Gibson Guitar Corporation in the early 20th century. The first guitars of this series, Gibson L-0 and Gibson L-1, were introduced first as arch-tops (1902), and later as flat tops in 1926. The L series was later gradually replaced by the LG series in the 1940s.

  6. Robert Johnson recordings - Wikipedia

    en.wikipedia.org/wiki/Robert_Johnson_recordings

    Johnson was the only one to record that day and performed solo, singing and accompanying himself on acoustic guitar. [4] Two more sessions followed, on Thursday and Friday, November 27 and 28. [ 2 ] After the successful release of " Terraplane Blues " in March 1937, additional recording sessions took place in Dallas, Texas. [ 2 ]

  7. Cross Road Blues - Wikipedia

    en.wikipedia.org/wiki/Cross_Road_Blues

    He also employs a Johnson guitar innovation, the duple shuffle pattern or boogie bass line, while singing (Johnson only used it for two bars in "Cross Road Blues"). [81] [f] Clapton also simplifies and standardizes Johnson's vocal lines. [81] Schumacher calls Clapton's vocal on "Crossroads" his best and most assured with Cream. [79]