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It includes German painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "18th-century German women painters" The following 32 pages are in this category, out of 32 total.
This is a non-diffusing subcategory of Category:18th-century German people. It includes German people that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Johanna Helena Herolt (1 May 1668 – after 1723) was an 18th-century botanical artist from Germany. She was well-known for her paintings similar to her mother, Maria Sibylla Merian, with her draftsmanship.
This is a non-diffusing parent category of Category:18th-century German women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
This is a non-diffusing subcategory of Category:18th-century German artists. It includes German artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:18th-century German male artists
Kunigunde Sophie Ludovike Simanowiz (née Reichenbach; February 21, 1759, Schorndorf - September 3, 1827, Ludwigsburg) was a German portrait painter in the Classical style. Biography [ edit ]
Ambraser Heldenbuch, Fol. 149.Kudrun.The early sixteenth century epic collection Ambraser Heldenbuch, one of the most important works of medieval German literature, focuses largely on female characters (with notable texts being its versions of the Nibelungenlied, the Kudrun and the poem Nibelungenklage) and defends the concept of Frauenehre (female honour) against the increasing misogyny of ...