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And the text is heavily cut: Othello's first words are his speech to the Senators from Act 1 Scene 3. [251] [252] The film was critically panned on its 1955 release (headlines included "Mr Welles Murders Shakespeare in the Dark" and "The Boor of Venice") but was acclaimed as a classic upon its re-release in a restored version in 1992. [253]
Othello is alone in a dressing room, dressing in tails and a top hat. He practices Othello's speech to Desdemona's father while applying black greasepaint - by the end of the speech he is in full Blackface. Harlem, Present. Billie sings - she is in the psychiatric ward of Harlem Hospital where she is cared for by white doctors. Amah visits her.
English: James Earl Jones performs from Shakespeare's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009. Note that the description at Whitehouse.gov claims here this performance is in the public domain.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo , who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The film received largely positive reviews, especially for Branagh's Iago.Branagh was nominated for a Screen Actors Guild Award for his performance. [4] Janet Maslin of The New York Times wrote: "Mr. Branagh's superb performance, as the man whose Machiavellian scheming guides the story of Othello's downfall, guarantees this film an immediacy that any audience will understand. ...
In the second act, Cassio's life is nearly ruined by Iago's cunning and his own foolishness. Iago tricks Cassio into getting drunk and then incites his friend Roderigo to start a brawl with Cassio. The Cypriot governor Montano tries to end the fight by stepping between the two men, and Cassio, now blind drunk, strikes out at him.