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The photograph depicts a lush green rolling hill with cirrus clouds during a daytime sky, with mountains far in the background. [1] [2] It was taken by Charles O'Rear, a former National Geographic photographer and resident of St. Helena, California, in the Napa Valley region north of San Francisco, while on his way to visit his girlfriend in ...
"At last I have a landscape with olive trees [probably F712], and also a new study of a starry sky." Letter 805: to Theo van Gogh. Saint-Rémy-de-Provence, on or about Friday, 20 September 1889.. Vincent van Gogh: The Letters. Van Gogh Museum. "The olive trees with white cloud and background of mountains [F712], as well as the Moonrise and the ...
The stitched panorama can be saved in a wide variety of file formats, from common formats like JPEG and TIFF to multi-resolution tiled formats like HD View and Deep Zoom, as well as allowing multi-resolution upload to the Microsoft Photosynth site. [2] It can also be saved to a web page with a zoomable viewer using a third-party template.
Orientation: Normal: Horizontal resolution: 300 dpi: Vertical resolution: 300 dpi: Software used: ViewNX 2.10 W: File change date and time: 15:38, 9 November 2018
They provide high-resolution images that are critical for tracking cloud movements and assessing weather conditions. Near-Infrared Bands (0.86 μm, 1.6 μm, 2.3 μm, 6.9 μm, 7.3 μm, 8.6 μm, 9.6 μm, 11.2 μm, 13.3 μm): These bands help in distinguishing between different types of clouds, vegetation, and surface features.
Webb's First Deep Field is the first full false-color image from the JWST, [12] and the highest-resolution infrared view of the universe yet captured. [11] The image reveals thousands of galaxies in a tiny sliver of the universe, with Webb's sharp near-infrared view bringing out faint structures in extremely distant galaxies, offering the most ...
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In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931). According to an essay on the series at the Phillips Collection website, "A symbolist aesthetic underlies these images, which became increasingly abstract equivalents of his own ...