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Gongche notation, dating from the Tang dynasty, used Chinese characters for the names of the scale. Octave positions are sometimes shown by the addition of an affix or small mark. A chromatic scale could be produced from this by the use of the prefixes gao- (high) to raise a note, or xia- (low) to lower it, by a semitone; but after the 11th ...
Most Chinese music uses a pentatonic scale, with the intervals (in terms of lǜ) almost the same as those of the major pentatonic scale.The notes of this scale are called gōng 宫, shāng 商, jué 角, zhǐ 徵 and yǔ 羽.
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient
Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China.It uses Chinese characters to represent musical notes.It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě.
Note that a pentatonic scale is normally used in Traditional Chinese music, so "all the notes of the scale" in this case are 1, 2, 3, 5 and 6. Extended glissandi (over several octaves) are also possible, usually written with a longer diagonal wavy line that is nearly touching the numbers on either side of it.
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...
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"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]