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The Cao family of Henan are known as masters of the guzheng. [citation needed] Notable 21st-century Chinese guzheng players include Xiang Sihua, Wang Zhongshan, Chang Jing, Jing Xia, and Funa. [citation needed] Although most guzheng music is Chinese classical music, the American composer Lou Harrison (1917–2003) played and composed for the ...
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn . [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of ...
Stringed music is prominent in China, especially in the Jiangnan region, where it is the name of all the instruments made from wood and string. This form of performance started from the Jin dynasty (266–420). [citation needed] The most common Chinese stringed instruments are the guqin, zheng, erhu, and pipa. These instruments were developed ...
A yangqin on a stand. The trapezoidal yangqin (simplified Chinese: 扬琴; traditional Chinese: 揚琴; pinyin: yángqín; Jyutping: joeng4 kam4) is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer.
In their current form, both instruments are what are described to be board zithers rather than half-tube zithers. The Japanese Koto is also a half-tube zither. [34] The ancestor of the koto was the Chinese guzheng. [35] [36] [37] [34] It was first introduced to Japan from China in the 7th and 8th century. [38]
Chinese numerology gave Wang Xiao-Jing the idea for the Twelve Girls Band. [ citation needed ] When Xiao-Jing decided he wanted to create a female ensemble, he knew it needed 12 members. Per Chinese mythology it is the twelve jinchai (12 hairpins) representing womanhood.
Liang Tsai-Ping (Chinese: 梁 在 平; pinyin: Liáng Zàipíng, born Gaoyang County (高阳县), Hebei, China, February 23, 1910 or 1911; died Taipei, Taiwan, June 28, 2000) was a master of the guzheng, a Chinese traditional zither. He is considered one of the 20th century's most important players and scholars of the instrument.
According to the Samguksagi (1146), a history of the Three Kingdoms of Korea, the gayageum was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument Guzheng. He ordered a musician named Wu Ruk to compose music that could be played on the instrument.