Search results
Results From The WOW.Com Content Network
This print was created in the city of Strasbourg, where Hans Baldung was working. This is the first print made by Baldung after becoming a master craftsman and leaving Dürer's workshop, as well as the first to feature his initials. [1] These initials can be seen hanging on a tree limb to the center-right edge of the print.
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
Block book; Bois Protat; ... The Witches (Hans Baldung) Woman with a Raven at an Abyss; ... Anti-Nazi woodcut by Heinz Kiwitz 1933.jpg 285 × 348; 38 KB
The Freiburg Altarpiece is an oil on wood panel altarpiece, created for the high altar of Frieburg Minster by the German Renaissance painter and printmaker, Hans Baldung Grien. [1] [2] The altarpiece is a polyptych with eleven panels created by Baldung and members of his studio. Baldung lived in Freiburg from 1512 to 1517 as he worked on the ...
Hans Baldung, New Year’s Greeting with Three Witches, 1514. Pen and white ink, heightened with white, on brown prepared paper. 12 × 8 ¼ inches, Vienna, Albertina Museum Items portrayed in this file
Woodcut of Aristotle ridden by Phyllis by Hans Baldung, 1515. The tale of Phyllis and Aristotle is a medieval cautionary tale about the triumph of a seductive woman, Phyllis, over the greatest male intellect, the ancient Greek philosopher Aristotle. It is one of several Power of Women stories from that time.
A Discovery of Witches: A Novel (All Souls Trilogy, Book 1) A Discovery of Witches , the first book in the All Souls Trilogy , serves as the basis for season one of the TV show.
Characteristic of Baldung is the proximity of the physical conception of female aging to sexuality, sin and death, which is already apparent in the nakedness of the women and the relentless display of the erotic appeal of youth in stark contrast to the physical deterioration of the female body in old age. [5]