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The Radio Television Hong Kong (RTHK) Top Ten Chinese Gold Songs Awards, which is one of the major music awards in Hong Kong since 1979, can reflect the great reliance on Japanese melodies in Cantopop. During the 1980s, 139 out of 477 songs from weekly gold songs chart were cover versions, and 52% of the cover versions were covers of Japanese ...
Song or album (if available) Recipient Best C-pop song award (最佳中文流行歌曲獎) 我說過要你快樂: Anthony Lun: Best C-pop lyrics award (最佳中文流行歌詞獎) 真真假假: Poon Wai Yuen (潘偉源) Sales award (全年銷量冠軍大獎) 真情流露: Jacky Cheung: Outstanding mandarin song award (優秀國語歌曲獎 ...
Song or album (if available) Recipient Top 10 outstanding artists award (十大優秀流行歌手大獎) – Sammi Cheng, Andy Lau, Aaron Kwok, Kelly Chen, Jacky Cheung, Andy Hui, Eason Chan, Coco Lee, Nicholas Tse,Faye Wong: Best karaoke song award (最愛歡迎卡拉ok歌曲獎) K歌之王 感情線上 會過去的 (gold) Eason Chan (silver ...
[1] [2] Beginning in 1978, it is the oldest major award in Hong Kong, even earlier than the Jade Solid Gold Awards. The ceremony is usually held in January following the end of the previous music season. It usually takes place at the Hong Kong Coliseum, sometimes at the Sha Tin Racecourse.
The 1985 RTHK Top 10 Gold Songs Awards (Chinese: 1985年度十大中文金曲得獎) was held in 1985 for the 1984 music season. This is the first ceremony to offer the "Golden Needle Award". This is the first ceremony to offer the "Golden Needle Award".
The 1986 RTHK Top 10 Gold Songs Awards (Chinese: 1986 ... RTHK Golden needle award (金針獎)-Tang Ti-sheng: References.
In 2008, Universal Music Hong Kong flew Jin out to Hong Kong to promote the re-release of his Cantonese album ABC. In an interview, Jin commented, "I think with various artists, Cantonese hip-hop was starting to become more and more widespread." [2] ABC debuted at #1 and achieved gold status in Hong Kong.
Samuel Hui Koon-kit [1] [2] (born 6 September 1948), [1] usually known as Sam Hui, [1] [3] is a Hong Kong musician, singer, songwriter and actor. He is credited with popularising Cantopop both via the infusion of Western-style music and his usage of vernacular Cantonese rather than written vernacular Chinese in biting lyrics that addressed contemporary problems and concerns. [4]